In
the early pages of David McCullough’s biography John Adams, he
describes colonial Philadelphia in great detail, calling it a “true
eighteenth-century metropolis.” He writes of the busyness of the
port on the Delaware River, the print shops, the book shops, the taverns,
and the hectic market days when farm wagons would line the streets. John
Adams, who was more familiar with the mangled design of the Boston Street
map, was apparently taken with William Penn’s orderly and spacious
alignment of streets, from Front Street at the river, then 2nd, 3rd,
4th, all then intersected by Market, Walnut, Chestnut and so on. With
his writing, McCullough quickly gives vision to the reader’s imagination,
especially for those of us who are familiar with the city of Philadelphia.
The word-painted scene is now hundreds of years old, though, part of
his description of city life, part of his guided tour transcends time:
“Few delegates to Congress ever became accustomed to the bustle
and noise; or to the suffocating heat of a Philadelphia summer; or
to the clouds of mosquitoes and horseflies that with the onset of summer
rose like a biblical scourge. Prices were high. Lodgings of even a
modest sort were difficult to find. Conditions of the poor appeared
little better than in other American cities. Misery, too, was on display.”
At one point the author tells of John Adams and a few friends climbing
the bell tower of Christ Church. They balanced themselves just below
the spire, enjoyed the breeze, looked out over the city to the west,
the Delaware River, and the farmland of New Jersey to the east. The
writers gift, of course, is to invite the reader to see what John Adams
saw there above the city.
A friend and colleague of mine is the rector of Christ Church there
in Old City Philadelphia. I joined a few others in his guided tour
that included hearing story after story of the names that are engraved
all over the sanctuary, looking at the Book of Common Prayer in which
the leaders of Christ Church had crossed out the name of the king,
seeing the original hand made, silver baptismal bowl which they still
use but now insure for more than a million dollars. As we stood on
the front steps, the rector pointed out that in 18th century Philadelphia,
the bank of the Delaware River would have been right across the street.
Now it must be four or five blocks away. Someone in our group remembered
the John Adams biography and that brief scene up on the bell tower
above our heads. “It must have been quite a view”, someone
said. “It is still quite a view”, came a response. Vision,
imagination separated by centuries.
On this Palm Sunday morning, the guided tour is being offered by Luke.
The nineteenth chapter of Luke is one worth noting, remembering, listing
as one of your favorites there on the homepage. Yes, Luke tells of
the Triumphal Entry, the Lord’s procession into Jerusalem, our
text for the morning. But here in chapter 19 Luke also records that
story of Zacchaeus, the chief tax collector who climbed a tree for
a better view and ended up making dinner for the Savior who announced, “Today
salvation has come to this house!” It is in 19 that Luke includes
Jesus telling the parable of the pounds. (In Matthew it is the parable
of the talents, Luke has the pounds. A nobleman hands out currency
in the form of pounds to his servants and then travels to a distant
country. The one who received a tongue lashing was the servant who
did nothing but wrap the pound in a cloth because he was afraid. And
Luke 19 also includes Jesus tossing out from the temple those who were
selling things. “My house shall be a house of prayer, but you
have made it a den of robbers.”
Luke chapter 19. Up there is Zacchaeus. Here is Jesus teaching a parable.
Over there the ride on the colt and the multitude of the disciples
praising God and the Pharisees demand for silence. And just here, down
the hill a bit, a bit closer to Jerusalem, Jesus with tears in his
eyes. And then over there, Jesus at the temple, kicking folks out and
teaching there everyday. For Luke’s readers, I guess the first
reaction is for all eyes to focus on Jesus, to look at what Jesus did.
Jesus as the daring dinner guest. Jesus as the captivating teacher.
Jesus as the servant king there on a colt. Jesus as the angry rabbi
protecting the sanctity of the temple. The gospel rendering of Christ
provides a guided tour, a complex character study of this one called
Jesus.
For some scholars, the focus shifts away from what Jesus did, to what
Jesus said. Jesus breathes salvation and gives voice to the promise
with Zaccheaus. Jesus, ever the preacher, proclaims the gospel in parable
form. Jesus, strangely silent during the parade, responds to the Pharisees
concern, “If these were silent, the stones would shout out.” Luke’s
Jesus offers the puzzling and sobering words there above the city, “If
you, even you, had only recognized the things that make for peace!” It’s
not about what Jesus would do. It’s about what Jesus said! Jesus
the proclaimer steps to the fore in the church’s encounter with
the gospel.
What Jesus did. Who Jesus was. What Jesus said. But here in Luke 19,
I find myself drawn to what Jesus saw. Yes, Jesus looked up and saw
Zacchaeus. He looked around and saw the crowds. He arrived at the temple
couldn’t help but see all the goings on. Luke attends to what
Jesus saw. And when it comes to Luke and Palm Sunday and the colt and
the cloaks and the crowds and the city, it’s about what Jesus
must have seen. The gospel writer’s gift, of course, is to invite
the reader to see what Jesus saw there above the city, to invite the
reader to ponder what caused those Palm Sunday tears. Here it is not
as easy as joining John Adams atop the steeple at Christ’s Church.
Here Luke leaves you and I are yearning for some details. Here the
comparison with historical biography, or biographical history, here
the comparison must stop. But the power of the gospel literature draws
you right in. You and I are drawn into the gospel world. Luke’s
narrative leaves us hanging there on the hill above Jerusalem, squinting,
leaning, wanting to see what Jesus saw. We find ourselves somewhere
along the way, looking out over the city and looking back at the Savior’s
tears. It must have been quite a view. Vision, imagination, separated
by more than centuries.
“As he came near and saw the city, Jesus wept over it.” As
he sat on the hill, overlooking the city, he was staring into the face
of his own suffering and death. That city where he would be betrayed
and deserted by those he loved, there where he would be handed over,
arrested, tried, and beaten. There on the hill overlooking the city,
perhaps the view foreshadowed the week ahead. From where he stopped,
maybe he could see another hill outside the city, that called the place
of the Skull, Golgotha, Calvary. The place of the cross. And Jesus
wept. Like he wept at the death of Lazarus and the grief of Mary and
Martha. Somewhere, along the road to Jerusalem, on the front side of
his own passion, Jesus wept.
Trying to figure out what Jesus saw doesn’t get any easier as
you try to understand the rather cryptic comments about the days to
come, and the enemies and being crushed to the ground, and not recognizing
the “time of your visitation.” New Testament scholars point
out that the language attributed to Jesus here is most likely a reference
to the destruction of Jerusalem before the end of the first century.
That historical event is sandwiched in between the events of Jesus’s
own life and Luke’s construction of the gospel. And so these
puzzling words portray Luke’s Jesus both looking ahead and looking
back at the city’s plight. The rules of a time line are tossed
out the window! There along the road above Jerusalem he panorama that
spreads before the Lord is ageless. It must have been quite a view.
The absence of peace, the presence of death, the reality of humanity’s
destruction magnified by generation after generation after generation.
And Jesus wept.
“If you, even you, if you, even you, and you and you...had only
recognized on this day the things that make for peace!” There
is something of an ambiguity, almost a collective nature, to how Jesus
calls out to the “you.” Almost an echo of the “you” given
voice for to all generations. As if Jesus, there on the hill, stopping
somewhere between Palm Sunday and Maundy Thursday, as if Jesus can
see all of humanity’s unfulfilled righteousness and poor attempts
at justice and inevitable resorts to violence, as if Jesus pauses to
ponder in one scene the timelessness and abundance of humanity’s
sin. And Jesus wept.
Allow me the disclaimer. It’s impossible to know what Jesus
saw. The city spread before him, seen from the hill. What a view. But
it’s not like Zacchaeus up in the tree. It’s not like those
moneylenders in the temple. A glimpse of his own death? A vision of
humanity’s thirst for destruction? A landscape that captures
the weight of the timeless sin he was about to bear? According to Luke,
all we know in trying to follow the Lord’s eyes, all we know
is about those tears. And whatever it was that he saw, he still went.
The Palm Sunday march went on, even with the Palm Sunday tears. The
procession moved on. The Good News comes for the parade marches on.
Before he prayed and sweat drops of blood, before the betrayal at
the hands of Judas, before his arrest and trial before Pilate, before
his physical suffering that has drawn such new attention, before his
own cry of abandonment “My God, my God, why hast thou forsaken
me?”, before his death there on the cross, before all of that,
came those tears.
Vision, imagination, separated by more centuries. The gospel-writer’s
gift, of course, is to invite the reader to see what Jesus saw there
above the city. By God’s grace, the power of the gospel draws
you in. As you turn to look again at those tears in the eyes of Jesus,
as you come to grips with the knowledge that yet again, the procession
is moving on, that he is headed to the cross, as you see Jesus there
along the way, somewhere above the city, as you ponder the Palm Sunday
tears, you realize deep within, that, of course, he is looking right
at you.
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